Thursday, 6 April 2023

International Sweethearts of Rhythm

The International Sweethearts of Rhythm was the first integrated all-women's band in the United States. During the 1940s the band featured some of the best female musicians of the day.[1] They played swing and jazz on a national circuit that included the Apollo Theater in New York City, the Regal Theater in Chicago, and the Howard Theater in Washington, D.C. During feminist movements of the 1960s and 1970s in America, the International Sweethearts of Rhythm became popular with feminist writers and musicologists who made it their goal to change the discourse on the history of jazz to include both men and women musicians.

 

 

 

 

 


 

 

 

 

 

The original members of the band had met in Mississippi in 1938 at the Piney Woods Country Life School, a school for poor and African American children. The majority who attended Piney Woods were orphans, including band member Helen Jones. In the 1930s he was inspired by Ina Ray Hutton's Melodears to create an all-female jazz band at Piney Woods. Having been an entrepreneur when it came to fundraising, in the early 1920s Jones supported the school by sending an all-female vocal group called the Cotton Blossom Singers on the road. After that she formed the Swinging Rays of Rhythm led by Consuela Carter. The band toured throughout the eastern U.S. to raise money for the school.

 

 



 


 





In 1941 the International Sweethearts of Rhythm became a professional act and severed connections with Piney Woods.  The band settled in Arlington, Virginia, where a wealthy Virginian supported them. Members from different races, including Latina, Asian, Caucasian, Black, Indian and Puerto Rican, lent the band an "international" flavor, and the name International Sweethearts of Rhythm was given to the group. Composed of 14- to 19-year-olds, the band included Pauline Braddy (tutored on drums by Sid Catlett and Jo Jones), Willie Mae Wong (sax), Edna Williams and thirteen others, including Helen Jones Woods. Anna Mae Winburn became bandleader in 1941 after resigning from her position leading the Cotton Club Boys in North Omaha, Nebraska, which featured guitarist Charlie Christian and Fletcher Henderson. Winburn led the band until her retirement.











The venues where they performed were predominantly, if not only, for black audiences. These included the Apollo Theatre in Harlem, the Howard Theatre in Washington, D.C., the Regal Theatre in Chicago, the Cotton Club in Cincinnati, the Riviera in St. Louis, the Dreamland in Omaha, the Club Plantation and Million Dollar Theater in Los Angeles. The International Sweethearts of Rhythm performed in 1948 with Dizzy Gillespie at the fourth annual Cavalcade of Jazz concert at Wrigley Field in Los Angeles on September 12. They also performed at the eighth Cavalcade of Jazz concert on June 1, 1952 when Anna Mae Winburn was leading. In 1980, jazz pianist Marian McPartland convinced the organizers of the third annual Women's Jazz Festival in Kansas City to reunite the Sweethearts. Included in this interview were nine of the original members as well as six of the band's later members.