On this blog I will talk about Rock´n´Roll women that I love. From Blues and Rockabilly, to Punk passing through 60s Garage Punk and 70s Glam, this is my tribute to the wonderful women of the Rock´n´Roll underground.
Please note that suggestions are welcome but there is no guarantee that I will publish it as this is a personal project.
Las Mosquitas was an Argentinian quartet formed by Pupé and Nené (guitars), Nita (bass) and Dina (drums).
They just recorded one album on Music Hall in 1965 but they released seven 45s. Artists of the musical programs of Canal thirteen Argentina, especially of Sabados Circulares de Mancera, Casino Phillips, Viendo Biondi. They toured all the provinces of Argentina, performing in clubs as well as in Chile, Santo Domingo and Peru. On Panama's Canal 4 they had their own programme called "Las Mosquitas Show".
After five years, the quartet became a duo, and María Cristina Medina (Nita) and Stella Maris Conde (Pupe) leave for Santiago de Chile, where they share the stage with Pedro Vargas, Tito Guizar, Alfredo de Angelis, Argentino Ledesma and Armando Manzanero. They also performed on Chilean television in Don Francisco's programme. They returned to Buenos Aires to the channel 11 program "El Paquete del Dúo de Dos", they traveled through all the Argentine provinces and in 1969 they performed in the R.O. of Uruguay. In 1969 they formed the vocal quartet "Studio 4" together with Oscar de Luca and Amadeo Rosano. Their debut is produced in the Maipo Theatre in the magazine "El Maipo Está Piantao" together with Nelida Roca , Nacha Guevara and others. They recorded in R.C.A. Victor. In 1974, they separated artistically, Stella Maris dedicated herself fully to the tango and Maria Cristina looked for a partner and formed again as a duo Las Mosquitas, which continued to tour Latin America. In 1977, they performed at the Marconi Theatre in the musical comedy "Cielo de Barrilete" and "La vida de Elvis Presley" with Cristina Caram, Jhony Tedesco , Nicky Jones. They split up in 1978.
Currently Stella Maris Conde is a tango singer, Ana María Millan (Poupe) is a music teacher, Rosalinda died in Germany, and María Cristina Medina continues to compose and put together shows.
Patti LaBelle (born Patricia Louise Holte; May 24, 1944) is an American singer, songwriter, actress, and businesswoman. She was born in the Eastwick section of Southwest Philadelphia, Pennsylvania, she joined a local church choir at the Beulah Baptist Church at ten and performed her first solo two years later.
LaBelle began her career in the early 1960s as lead singer and front woman of the vocal group, Patti LaBelle and the Bluebelles. In 1963, the group scored their first hit single with the ballad "Down the Aisle" which became a crossover top 40 hit on the Billboard pop and R&B charts after King Records issued it. Later in the year, they recorded their rendition of the "You'll Never Walk Alone"; the single was later re-released on Cameo-Parkway Records where the group scored a second hit on the pop charts with the song in 1964. Another charted single, "Danny Boy", was released that same year. In 1965, after Cameo-Parkway folded, the group moved to New York and signed with Atlantic Records where they recorded twelve singles for the label, including the mildly charted singles "All or Nothing" and "Take Me for a Little While". The group's Atlantic tenure included their rendition of "Over the Rainbow" and a version of the song "Groovy Kind of Love".
Following the group's name change to Labelle in the 1970s, they signed with the Warner Music imprint Track Records and released their self-titled debut album in 1971. The record's psychedelic soul sound and its blending of rock and soul rhythms was a departure from the group's early sound. That same year, they sang background vocals on Laura Nyro's album, Gonna Take a Miracle. A year later, in 1972, the group released Moon Shadow, which repeated the homegrown gritty sound of the previous album. In 1973, influenced by glam rockers David Bowie and Elton John, Wickham had the group dressed in silver space suits and luminescent makeup.
After their third successive album, Pressure Cookin', failed to generate a hit, Labelle signed with Epic Records in 1974, releasing their most successful album to date, with Nightbirds, which blended soul, funk and rock music, thanks to the work of the album's producer, Allen Toussaint. The single, "Lady Marmalade", would become their biggest-selling single, going number one on the Billboard Hot 100 and selling over a million copies, as did Nightbirds, which later earned a RIAA gold award, for sales of a million units. In October 1974, Labelle made pop history by becoming the first rock and roll vocal group to perform at the Metropolitan Opera House. Riding high on the success of "Lady Marmalade" and the Nightbirds album, Labelle made the cover of Rolling Stone in 1975. The band released two more albums, Phoenix and Chameleon in 1975 and 1976, respectively. While both albums continued the group's critical success, none of the singles issued on those albums ever crossed over to the pop charts. The group split up in 1976.
LaBelle began a successful solo career, starting with her critically acclaimed debut album, which included the career-defining song, "You Are My Friend". LaBelle became a mainstream solo star in 1984 following the success of the singles, "If Only You Knew", "New Attitude" and "Stir It Up", with the latter two crossing over to pop audiences and becoming radio staples. Less than two years later, in 1986, LaBelle scored with the number-one album, Winner in You and the number-one duet single, "On My Own", with Michael McDonald. LaBelle eventually won a 1992 Grammy for Best Female R&B Vocal Performance for her 1991 album, Burnin', followed by a second Grammy win for the live album, Live! One Night Only. Her 1990s albums, Burnin', Gems (1994) and Flame (1997), continued her popularity with young R&B audiences throughout the decade. Following the release of two mildly receptive solo albums in the early new millennium, she reunited with her Labelle bandmates for the album, Back to Now, followed by a briefly well received promotional tour.
In a career that has spanned over seven different decades, she has sold more than 50 million records worldwide. LaBelle has been inducted into the Grammy Hall of Fame, the Hollywood Walk of Fame, and the Apollo Theater Hall of Fame.
Christine Holmes is a british singer and tv presenter that went with the artistic name of Kristine Sparkle.
As Christine Holmes in the 1960s, she had a respected solo and session standing which included a successful stint in The Family Dogg. She recorded 7 solo singles between 1964-1971, which were released on the Mercury and Polydor labels and had appeared as a presenter on the BBC children's show "Crackerjack" in 1966-69.
On 31 December 1974 she appeared on UK television singing on the Wheeltappers and Shunters Social Club introduced by the late Bernard Manning. Her stage name at that time was Kristine Sparkle, under which she recorded 5 singles and an album (Image) for the Decca label. She went on to co-write and record Devil Woman with Terry Britten, which became a 1976 top 10 hit for Cliff Richard, and released a further seven singles and an album (I'm a Song), under the name Kristine, on the United Artists and Power Exchange labels.
The Chiffons were an American girl group originating from the Bronx, New York City, in 1960. The group was originally a trio of schoolmates: Judy Craig, Patricia Bennett and Barbara Lee; at James Monroe High School in the Bronx in 1960. In 1962, at the suggestion of songwriter Ronnie Mack, the group added Sylvia Peterson, who had sung with Little Jimmy & the Tops at age 14, sharing lead vocals with Jimmy on "Say You Love Me", the B-side of the Tops' 1959 local hit "Puppy Love".
The group was named the Chiffons when recording and releasing their first single, "He's So Fine", written by Ronnie Mack, produced by The Tokens of "The Lion Sleeps Tonight" fame, and released on the Laurie Records label. "He's So Fine" hit No. 1 in the United States, selling over one million copies, and was awarded a gold disc. The Chiffons immediately released their first LP He's So Fine (which charted at #97) and began a round of touring around the US.
Within a few months, the group released their second LP, One Fine Day. The group also released two singles in 1963 as the Four Pennies (with Sylvia on lead) on the Laurie Records subsidiary Rust, but they abandoned the Four Pennies name as the success of "He's So Fine" became clear. This first hit was followed by other notable tunes such as Gerry Goffin and Carole King's "One Fine Day", "Sweet Talkin' Guy" and "I Have A Boyfriend". As the 1960s progressed, Peterson assumed a more prominent role in the group, singing lead on the Chiffons' "Why Am I So Shy", "Strange, Strange Feeling", "The Real Thing", "Up On The Bridge" and "My Block" (written by Jimmy Radcliffe, Carl Spencer and Bert Berns). In mid-1965, they signed directly to the Laurie label, and had a hit with "Nobody Knows What's Going On In My Mind But Me". The next Top 10 hit for the Chiffons was "Sweet-Talking Guy" in mid 1966 which allowed the quartet to tour England and Germany for the first time; on one of their London club dates, members of the Beatles and Stones were in the audience. Several minor hits followed up to 1968.
Due to the constant touring and lack of hits, Judy Craig left the group before 1970 and took a bank job in Manhattan. The remaining trio continued to do live shows with Sylvia now as permanent lead singer. Eventually, Sylvia, Pat, and Barbara took on regular 9-5 jobs, but continued to do live shows on weekends. Sylvia eventually left, and her spot was taken by alternating friends of the group. In 1970, George Harrison released the song "My Sweet Lord", whose musical similarities to "He's So Fine" prompted the estate of Ronnie Mack to file a copyright infringement claim. The Chiffons went on to record "My Sweet Lord" in 1975. A judge later found that Harrison had unintentionally plagiarized the earlier song. Sylvia returned to the Chiffons during the 1980s. On May 15, 1992, Barbara Lee died from a heart attack, and Craig returned to the group. Peterson retired shortly thereafter and was replaced by Connie Harvey. Harvey has since left to pursue a solo career and Bennett has retired from the group.
Sandra Barry (born Sandra Alfred) is an English actress and singer. She debuted as an actress on film in an uncredited role in The Belles of St Trinian's (1954). She went on to small roles in other British films and television shows.
In the 1960s, she took on the stage name Sandra Barry and was signed to Decca Records. She was backed by guitar band The Boys (who would later go on to become cult mod band The Action), sometimes credited as Sandra Barry and The Boyfriends. Backed by The Boys, Barry released the single "Really Gonna Shake" in 1964. She subsequently signed with Pye Records, and released a number of singles backed by The Jet Blacks, who included future Led Zeppelin bassist John Paul Jones, but failed to score any hits.
In 1973, she re-emerged as Alice Spring, fronting the pub rock act Slack Alice. The band split by the following year after just one eponymous album and some heavy touring. They scored a minor international hit with the single "Motorcycle Dream".
Later in the decade, she fronted post punk band Darling, who released an album and a number of singles in 1979.
The Heart Beats were an American all-female garage rock band, based in Lubbock, Texas, and founded around 1966. They were led by drummer and lead vocalist Linda Sanders, along with younger sister Debbie Sanders (guitar), Debbie McMellan (bass guitar), and Jeannie Foster (guitar and keyboards). The Sanders sisters met McMellan and Foster in a music class when Debbie Sanders was about ten years old and the other girls were about 12 or 13.
The Heart Beats were at the time one of just a few all-female rock and roll bands anywhere in the world. They attracted nationwide attention in the summer of 1968, when they won the battle of the bands on the popular ABC-TV variety show Happening 68, hosted by Mark Lindsay and Paul Revere of Paul Revere & the Raiders. Their winning performance was a cover version of the Outsiders' "Time Won't Let Me". Mrs. Sanders turned down a recording deal with ABC Records because she wanted her daughters to stay in school, but the band put another prize, a Volkswagen mini-bus to good use. The VW became the band's tour bus.
They recorded at Robin Hood Brians' in Tyler, TX which was released on their own "Heart Beats" label in early 1969. The A-side, "Cryin' Inside" was co-written by the legendary Texas singer-songwriter Ronnie (Mouse) Weiss. Later in the year they recorded 2 songs with Norman Petty in his Clovis, NM studio although the songs went unreleased. They were written by Linda's husband, who had also been her music teacher. After he was killed in a car accident in 1971, the songs were released as a commemorative single on their own label as "Linda Kennington & The Heart Beats".
Although they never signed a national recording contract, the Heart Beats became a popular regional attraction, and they stayed together until the 1980s.
Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves and the Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013.
Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named The Del-Phis. Ashford & Beard, along with then-lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, shortened to four. After another member left the group, she was replaced by Alabama-born vocalist Martha Reeves, who had been a member of a rival group, the Fascinations, and had also been a member of another group, the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know". The record flopped. The group then recorded for Checkmate Records, a subsidiary of Chess Records, recording their first take of "There He Is (At My Door)". That record, featuring Williams on lead vocals, also flopped.
Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance.
The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts.
The group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead,however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’.
The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before.
The Feminine Complex were an all-female American garage rock band in the 1960s. The band formed while the girls were attending Maplewood High School (Tennessee) in Nashville. They released only one album, Livin' Love, in 1969. The album has been reissued twice and has since developed a minor cult following.
The Feminine Complex consisted of Mindy Dalton on guitar and vocals, Judi Griffith on tambourine and vocals, Lana Napier on drums, Pame Stephens on keyboards and Jean Williams on bass. Napier and Williams decided to form an all-female band in the fall of 1966, eventually asking Dalton and Griffith to join. All four were members of the Maplewood High School girls' basketball team, giving themselves the name of The Pivots, which was also their team's name. By the summer of 1967 they added Stephens, a friend of Williams', and changed their name to The Feminine Complex.
They played small local gigs in Nashville and surrounding areas from 1967-68. Dee Kilpatrick of Athena Records signed the group in 1968, and they recorded their debut, Livin' Love. They broke up when school began, in fall of that year. Livin' Love was released in 1969. Two singles released from the album, "I've Been Workin' on You" and "Hide & Seek", were Top 40 hits in Nashville; a third, "I Won't Run", charted in Birmingham.
The band was only active for three years, releasing one Lp and four singles. Their Lp was reissued in 1996 by Teenbeat Records and in 2004 by Rev-Ola Records and a separate CD of demos and live recordings, To Be in Love, was released by Teenbeat in 1997.
Dolly Mixture were an English band, formed in 1978 by the bassist and vocalist Debsey Wykes (born 21 December 1960, Hammersmith, London, England), guitarist and vocalist Rachel Bor (born 16 May 1962, Wales), and drummer Hester Smith (born 28 October 1960, West Africa). They had a taste of Top 40 success performing backing vocals for the Captain Sensible hit "Wot", a Top 10 hit with Sensible on "Glad It's All Over", and a UK No. 1 hit backing Sensible on his 1982 cover of "Happy Talk".
The group was formed in Cambridge, England, by Bor, Smith, and Wykes, three school friends who shared a fondness for The Shangri-Las and The Undertones. Dolly Mixture supported The Undertones on one of their first UK tours. The band also played venues with The Fall and The Transmitters in 1979. They were once supported by U2. In Autumn 1981, they toured as the featured support band for Bad Manners on their Gosh It's tour and were well received by the second wave mod/ska audience that filled various theatres and venues up and down the land. Relocating to London to gig extensively, national BBC Radio 1 DJ John Peel gave them exposure on his radio show and in his weekly column in the UK pop paper, Sounds. Signed to Chrysalis Records, the group released a cover of the Shirelles hit, "Baby It's You" (1980), produced by Eric Faulkner of the Bay City Rollers. However, the cover version was disowned by the group, which protested the label's attempt to sell them as a teen girl group.
Their next single, "Been Teen" (1981), was the first single released on Paul Weller's Respond label. It was followed by "Everything And More" (1982), also released on Respond. Both singles were produced by Captain Sensible and Paul Gray of The Damned. They became friends with Sensible and recorded backing vocals on his singles and albums. After Sensible had a hit with "Happy Talk" in 1982 (featuring Dolly Mixture, credited as "Dolly Mixtures" on the single, and also in the song's video) and following various appearances on the television show Top of the Pops, Dolly Mixture – as a separate entity from Captain Sensible – performed extensively.
In 1983, the band released a double album called the "Demonstration Tapes" on their own Dead Good Dolly Platters label. The album sported a plain white cover and each copy was numbered and authentically autographed by the group members. Only one thousand copies were pressed. The album featured 27 demo tracks which covered a large part of the band's repertoire. The same year saw a release of the "Remember This" single, again on Dead Good Dolly Platters label. The B-side was a piece entitled "Listening Pleasure/Borinda's Lament", which included dialogue (à la Home Service British Force's Radio DJ), a half-finished song and an instrumental chamber piece with Wykes on piano and Bor on cello.
The 12-inch vinyl Fireside EP was released in 1984 on Cordelia Records, owned by Alan Jenkins, a member of The Deep Freeze Mice. The six-track EP represented the band's new artistic direction and contained mostly instrumental pieces, abandoning the guitar/bass/drum format. The most recognisable track was "Dolly Medley", containing highlights of the Dolly's repertoire, including the previously unreleased "Dead Rainbow", all done in a chamber music style. It was produced by Dolly Mixture and Andrew Fryer. The trio dissolved in 1984.
Boney M. was a Euro-Caribbean vocal group created by German record producer Frank Farian. Originally based in West Germany, the four original members of the group's official line-up were Liz Mitchell and Marcia Barrett from Jamaica, Maizie Williams from Montserrat and Bobby Farrell, a performing artist from Aruba. The group was formed in 1976 and achieved popularity during the disco era of the late 1970s. Since the 1980s, various line-ups of the band have performed with different personnel. The band has sold around 80 million records worldwide and is known for international hits such as "Daddy Cool", "Ma Baker", "Sunny", "Rasputin", "Mary's Boy Child - Oh My Lord" and "Rivers of Babylon".
German singer-songwriter Frank Farian recorded the dance track "Baby Do You Wanna Bump" in December 1974. Farian sang the repeated line "Do you do you wanna bump?" in a deep voice (entirely studio created) as well as performing the high falsetto chorus. When the record was released as a single, it was credited to "Boney M.", a pseudonym Farian had created for himself after watching the Australian detective show Boney. After a slow start, the song became a hit in the Netherlands and Belgium. It was then that Farian decided to hire performers to 'front' the group for TV performances. Farian found Maizie Williams (originally from Montserrat), who brought in Bobby Farrell, a male exotic dancer from Aruba. Singer Marcia Barrett (from Jamaica) joined the group, who brought in Liz Mitchell, a former member of the Les Humphries Singers and Boney M. was finalised.
Boney M.'s first album, Take the Heat off Me, was released in 1976. It contained tracks that Marcia Barrett had already recorded with Farian, including the title track and "Lovin' or Leavin'" The album's commercial performance was initially lukewarm. However, the group rigorously toured discos, clubs and even country fairs to earn a reputation for themselves. The group's big break came when, at the end of summer 1976, German television producer Michael 'Mike' Leckebusch (of Radio Bremen) requested the group for his show Musikladen. Boney M. appeared on the live music show on 18 September 1976, after 10 pm and in their daring stage costumes, where they performed the song "Daddy Cool". The song quickly went to no.1 in Germany, with the album following the success of the single. Another single, "Sunny" (a cover of the 1966 Bobby Hebb song) gave the group their second no.1 hit. The group's popularity had also grown throughout Europe, with "Daddy Cool" reaching no.1 in Switzerland, Sweden, Norway, Spain, France and Austria. Both singles were also Top 10 hits in the UK, which would become one of their biggest markets. In 1977, Boney M. released their second album, Love for Sale, which contained the hits "Ma Baker" and "Belfast". The group embarked on their first major concert tours with a live band of musicians called 'The Black Beauty Circus' (given their name after Maizie Williams' first band, 'Black Beautiful People'). Love for Sale was certified Gold a year after its release in the UK. Both singles from the album reached no.1 in Germany and the UK Top 10.
1978 was the group's biggest year. They released a new double A-sided single, "Rivers of Babylon/Brown Girl in the Ring", which was a hit all over Europe, reaching No. 1 in several countries as well as becoming one of the biggest selling singles of all time in the UK. It also became their most successful single in the United States, peaking at No. 30 on the U.S. pop singles chart. Following this came their biggest-selling album, Nightflight to Venus, which spawned further hit singles with "Rasputin" and "Painter Man". Continuing with their success, they released "Mary's Boy Child – Oh My Lord", which was the 1978 Christmas number one single in the United Kingdom and became another of the biggest selling singles of all time there. Also during 1978, Boney M. made a much-publicized promotional visit to the Soviet Union, one of the very few Western acts along with Elton John to do so, although tracks like "Rasputin" were not released in the Soviet Union due to their lyrics.
1979 saw Boney M. release a brand new single, "Hooray! Hooray! It's a Holi-Holiday", which became another Top 10 hit across Europe. Later in the year they released their fourth album, Oceans of Fantasy, containing two hit singles – "Gotta Go Home"/"El Lute" and "I'm Born Again"/"Bahama Mama". The album also included a "Lead" and "Backing Vocals" credit for the first time. Oceans of Fantasy reached no.1 in the UK and was certified Platinum, though their run of Top 10 singles had now ended with "Gotta Go Home" peaking at no.12 and "I'm Born Again" peaking at 35. Boney M.'s fifth album had been scheduled for release in November 1980 but the recording sessions dragged on all through 1981. When Boonoonoonoos was finally released by the end of that year, Bobby Farrell was fired from the group due to his unreliability. While still a healthy seller in continental Europe, Boonoonoonoos failed to crack the UK Top 100 after three consecutive No. 1 albums, and Farrell's departure left the group unable to promote it. Following this, the group released a Christmas Album.
Reggie Tsiboe was hired to replace Farrell as the new male member of Boney M. in 1982 but the singles "The Carnival Is Over" and "Jambo" fared poorly, and the group's seventh album Ten Thousand Lightyears, issued in 1984, marked another commercial low point peaking at number 23 in the German album charts. The group, however, returned to the German Top 20 in the autumn of 1984 with "Kalimba de Luna" (a Top 10 hit in France) and "Happy Song" (a cover of a song by Italian Italo-disco band Baby's Gang), the latter seeing Bobby Farrell return to the group. Both songs were carbon-copies of the original Italian hits by Tony Esposito and Baby's Gang respectively. By 1985, Farian clearly began losing interest in the group, and their final and eighth studio album Eye Dance was widely regarded as uninspired and disappointing. After celebrating Boney M.'s 10th anniversary in early 1986, the group officially disbanded after the release of the commercially unsuccessful single "Young, Free and Single" which peaked at No.48.
Marie Dionne Warwick (née Warrick, December 12, 1940) is an American singer, actress, television host, and former Goodwill Ambassador for the Food and Agriculture Organization. Warwick ranks among the 40 biggest hit makers between 1955 and 1999, based on the Billboard Hot 100 Pop Singles Charts. She is one of the most-charted female vocalists of all time, with 56 of her singles making the Billboard Hot 100 between 1962 and 1998, and 80 singles making all Billboard charts combined.
Many of Warwick's family were members of the Drinkard Singers, a renowned family gospel group and RCA recording artists who frequently performed throughout the New York metropolitan area. Dionne began singing gospel as a child at the New Hope Baptist Church in Newark, New Jersey. While she was performing background on the Drifters' recording of their 1962 release "Mexican Divorce", Warwick's voice and star presence were noticed by the song's composer, Burt Bacharach, a Brill Building songwriter who was writing songs with many other songwriters, including lyricist Hal David. Warwick was signed to Bacharach's and David's production company, which in turn was signed to Scepter Records in 1962 by Greenberg. The partnership would provide Bacharach with the freedom to produce Warwick without the control of recording company executives and company A&R men. Warwick's musical ability and education would also allow Bacharach to compose more challenging tunes. The demo version of "It's Love That Really Counts", along with her original demo of "Make It Easy on Yourself", would surface on Warwick's debut Scepter album, Presenting Dionne Warwick, which was released in early 1963.
In November 1962, Scepter Records released her first solo single, "Don't Make Me Over". The two immediate follow-ups, "This Empty Place" (with "B" side "Wishin' and Hopin'" later recorded by Dusty Springfield) and "Make The Music Play" charted briefly in the top 100. Her fourth single, "Anyone Who Had a Heart", released in November 1963, was Warwick's first top 10 pop hit (#8) in the U.S. and an international million seller. This was followed by "Walk On By" in April 1964, another major international hit and million seller that solidified her career. For the rest of the 1960s, Warwick was a fixture on the U.S. and Canadian charts, and much of her output from 1962 to 1971 was written and produced by the Bacharach/David team. In 1965, Eon Productions intended to use Warwick's song titled "Mr. Kiss Kiss Bang Bang" as the theme song of the James Bond film Thunderball, until Albert Broccoli insisted that the theme song include the film's title. A new song was composed and recorded in the eleventh hour titled "Thunderball", performed by Tom Jones. The melody of "Mr. Kiss Kiss Bang Bang" remains a major component of the film score.
The mid-1960s to early 1970s were a more successful time period for Warwick, who saw a string of gold-selling albums and Top 20 and Top 10 hit singles. "Message to Michael", a Bacharach-David composition, became a top 10 hit for Warwick in May 1966. The January 1967 LP Here Where There Is Love was her first RIAA certified Gold album, and featured "Alfie" and two 1966 hits: "Trains and Boats and Planes" and "I Just Don't Know What to Do with Myself". "Alfie" had become a radio hit when disc jockeys across the nation began to play the album cut early in 1967. "Alfie" was released as the "B" side of a Bacharach/David ballad, "The Beginning of Loneliness", which charted in the Hot 100. Disc jockeys flipped the single and made it a double-sided hit. Her follow-up to "I Say a Little Prayer", "(Theme from) Valley of the Dolls", was unusual in several respects. It was not written by Burt Bacharach and Hal David; it was the "B" side of her "I Say a Little Prayer" single, and it was a song that she almost did not record. Warwick performed the song, and when the film became a success in the early weeks of 1968, disc jockeys flipped the single and made the single one of the biggest double-sided hits of the rock era and another million seller. At the time, RIAA rules allowed only one side of a double-sided hit single to be certified as gold, but Scepter awarded Warwick an "in-house award" to recognize "(Theme from) Valley of the Dolls" as a million selling tune.
The single "Do You Know the Way to San Jose?" (an international million seller and a Top 10 hit in several countries, including the UK, Canada, Australia, South Africa, Japan and Mexico) was also a double-sided hit, with the "B" side "Let Me Be Lonely" charting at #79. More hits followed into 1971, including "Who Is Gonna Love Me" (#32, 1968) with "B" side, "(There's) Always Something There to Remind Me" becoming another double-sided hit; "Promises, Promises" (#19, 1968); "This Girl's in Love with You" (#7, 1969); "The April Fools" (#37, 1969); "You've Lost That Lovin' Feelin'" (#15, 1969); "I'll Never Fall in Love Again" (#6 Pop, #1 AC, 1969); "Make It Easy on Yourself" (#37 Pop, #10 AC, 1970); "Let Me Go to Him" (#32 Pop, #4 AC), 1970); and "Paper Mache" (#43 Pop, #3 AC), 1970). Warwick's final Bacharach/David penned single on the Scepter label was March 1971's "Who Gets the Guy" (#52 Pop, #6 AC), 1971), and her final "official" Scepter single release was "He's Moving On" b/w "Amanda", (#83 Pop, #12 AC) both from the soundtrack of the motion picture adaptation of Jacqueline Susann's The Love Machine. In 1971, Warwick left the family atmosphere of Scepter Records for Warner Bros. Records, for a $5 million contract, the most lucrative recording contract given to a female vocalist up to that time.
Without the guidance and songwriting that Bacharach/David had provided, Warwick's career stalled in the early 1970s although she remained a top concert draw throughout the world. There were no big hits during the early and mid part of the decade, aside from 1974's "Then Came You", recorded as a duet with the Spinners and produced by Thom Bell. Warwick recorded five albums with Warners: Dionne (1972), Just Being Myself (1973), Then Came You (1975), Track of the Cat (1975), and Love at First Sight (1977). Her five-year contract with Warners expired in 1977, and Warwick's dry spell on the American charts ended with her signing to Arista Records in 1979, where she began a second highly successful run of hit records and albums well into the late 1980s.
With the move to Arista Records and the release of her RIAA-certified million seller "I'll Never Love This Way Again" in 1979, Warwick was again enjoying top success on the charts. The song was produced by Barry Manilow. The accompanying album, Dionne, was certified Platinum in the United States for sales exceeding one million units. Other hits followed like Heartbreaker and Love Power. She has been releasing albums and performing up to the present day.
Karen Lee Orzolek (born November 22, 1978), known professionally as Karen O, is a South Korean-born American singer, songwriter, musician, and record producer. She is the lead vocalist for American rock band Yeah Yeah Yeahs.
The band formed in New York City in 2000 and is composed of vocalist and pianist Karen O, guitarist and keyboardist Nick Zinner, and drummer Brian Chase. They have recorded four studio albums; the first, Fever to Tell, was released in 2003. The second, Show Your Bones, was released in 2006 and was named the second best album of the year by NME. Their third studio album, It's Blitz!, was released in March 2009. All three albums earned the band Grammy nominations for Best Alternative Music Album. Their fourth album, Mosquito, was released in April 2013.
In 2007, O was placed at number three on Spinner.com's Women Who Rock Right Now. She began working on a small side project called Native Korean Rock and the Fishnets with fellow NYC musicians in 2008. She was featured in the track "Cut Me Up" by Har Mar Superstar for the soundtrack to the 2005 horror film House of Wax. For the movie Jackass 2, O collaborated with electronic artist Peaches and Johnny Knoxville to record a track entitled "Backass"; for Jackass 3D, she covered the Roger Alan Wade's "If You're Gonna Be Dumb" under the alternative title of "If You're Gonna Be Dumb, You Gotta Be Tough". In 2007, she also contributed vocals to a version of Bob Dylan's "Highway 61 Revisited" for the I'm Not There film soundtrack. At the end of episode 409, "Brothers Cinco", of the Tim and Eric Awesome Show, Great Job! she performed a short song. She also has a song titled "Strange Love" on the album "Frankenweenie Unleashed!" O collaborated with Trent Reznor and Atticus Ross on a cover version of Led Zeppelin's "Immigrant Song" for the soundtrack to the 2011 film The Girl with the Dragon Tattoo, for which Reznor and Ross composed the score.
O's debut solo album, Crush Songs, was released on September 9, 2014. It was released on Cult Records via Kobalt Label Services. On February 17, 2015, O released a live album titled Live from Crush Palace, recorded during three shows at Hollywood Forever Cemetery's Masonic Lodge in Los Angeles in September 2014. The album features live renditions of songs from Crush Songs, as well as "Hideaway" from Where the Wild Things Are and "The Moon Song" from Her. On January 11, 2018, O released the song "Yo! My Saint", featuring guest vocals from Michael Kiwanuka, in support of Kenzo's Spring Summer 2018 collection.
Lux Prima is the collaborative album from Karen O and musician-producer Danger Mouse, released 15 March 2019. “An Encounter with Lux Prima” was an immersive art piece and communal listening experience soundtracked by Karen O and Danger Mouse's collaborative album Lux Prima. The installation premiered at Los Angeles' Marciano Art Foundation in April 2019 where it played to sold-out audiences. The piece, consisting of groundbreaking audio-visual technology, saw the duo collaborate with an illustrious cast of fellow artists including creative director Barnaby Clay (David Bowie—“Life On Mars” Revisited, SHOT!), sound designer Ren Klyce (Star Wars: The Last Jedi, Fight Club), lighting designer Tobias Rylander (Robyn, The xx, FKA twigs), visual artist Davy Evans. Further collaborating with George Lucas’ Skywalker Sound and Meyer Sound on the audio design and build as well as MSG's Obscura Digital on projection mapping, the installation played across every sense and was the living nucleus of the duo's collaborative album.
