Thursday 16 December 2021

Sally Webster - The Mutants

As a founding member of the Mutants, Sally Webster was a part of the influential art-punk scene in San Francisco in the late ’70s and early ’80s. The Mutants are an American band, known for their theatrical performances which often include elaborate props, projections, and comical antics. They are credited with being one of the first "Art-punk" bands in San Francisco.

 

 

 

 

 


 

 

 

 

 

The Mutants joined together to perform at the San Francisco Poetry Festival in 1977. They quickly became regular performers in the San Francisco punk rock scene, headlining at the Mabuhay Gardens (aka The Fab Mab), The Savoy Tivoli, The Berkeley Square, The Deaf Club, The Temple (aka 1839 Geary Street), The Old Waldorf, The Warfield, and other punk clubs. They opened for such bands as The Ramones, Iggy Pop, New Order, Lene Lovich, The Cramps and the Talking Heads.

 

 

 

 


 





Their first extended play single was on 415 Records and included "Insect Lounge", "New Drug" and "The New Dark Ages". Many compilations, such as Wave Goodbye, Can You Hear Me: Live From the Deaf Club and 415 Music included both live and studio recordings of The Mutants. In 1982, The Mutants' only album, Fun Terminal, was produced with the help of Snakefinger after the first producer, Paul Wexler, who produced their e. p., left the project and was released on MSI Quality Records. In 1983 the band appeared in Rick Schmidt's independent film, Emerald Cities. Footage of a live performance was interspersed throughout the film, showcasing four songs: New Dark Ages; We Need A New Drug; War Against Girls; Sofa Song.













Following the release of Fun Terminal, The Mutants embarked on another successful national tour, headlining at major punk venues such as CBGBs and Hurrah. By the mid-eighties many of the original musicians left the band. The three vocalists attempted to keep the band going with new musicians, and new songs were written to feature the female vocalists. An EP documenting the later version of the group was recorded in the studio in 1984, but the material has not been commercially released as of this writing. 




In 1989 The Mutants had a reunion show at the DNA Lounge in San Francisco. In 2002, Fun Terminal was re-released as a CD on White Noise Records and included three additional tracks of live recordings, a 1980 4 song unreleased demo session and the 415 Records-released EP. Interest in the band re-surfaced and The Mutants began once again playing small clubs in San Francisco, such as SOMA Arts, Thee Parkside, Studio Z and Cafe du Nord. A "Fab Mab Reunion" took place on April 8, 2006 at The Fillmore and featured performances by The Mutants and several other notable bands from the early San Francisco punk scene. Dirk Dirksen and Damon Malloy produced a DVD documentary of The Mutants titled Mutants: Forensic Report which was released in 2007.




In recent years, Sally Webster has extended her practice to include multiple-media work. In May 2009, she helped to organize “Light Show,” a novel music and visual exhibition/performance combining multi-image photography, film, video, and old-school psychedelia using the iconic “liquid light” from the ’60s. For the last two years, she has focused on a new series of paintings.